Stray Thoughts Regarding Craftsmanship via – E.O. Wilson’s – Consilience

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Oh, dear it’s already six well…I suppose I’ll just post this introduction to a book review I plan to get on with some time this week.


Before I go into the actual review I’d like to frame it with a few observations.

1998 that is the year of publication. That was the cusp of the new millennium. Little wonder that Wilson saw it fitting or was inspired to write a book like Consiliecne. A book that calls for the sort of cooperation and integrative analysis upon which a fast-pasted, complex, and deeply interconnected future must depend.

I am sixty years younger than the professor. Yet even I witnessed the sort of fundamental technological and societal transition that must have been spectacularly apparent to an attentive person as the 20th century unfolded.

Wilson was born in 1929 and I in 1989. He had firsthand experience of the development of modern airlines, of the civil rights movement, and the rise of computing from primitive room consuming vacuum tube driven monstrosities to the button sized micro-processors of today. I mention this because I have long been eager to relate my fascination and concern with people thrown headlong into the internet age without any real exposure to legacy technology.

I spent my youngest years in Russia. From 1989 to 1998 I was Moscow born and bred. I do not know if my contemporaries state side had as much exposure to older gadgetry as I. But I remember having to use a rotatory phone without irony or affectation. That was my idea of a phone. I also recall women pickling as matter of course rather than as a precious yuppie hobby. Washboards were standard. I don’t think I ever saw a washing machine till after I landed in Atlanta. I remember water based heating systems, archaic toilets, and most of all I remember the sense of having to learn to write well and legibly.

It is the latter point that I wish to stress the most. There is something sacred about writing by hand. About the febrile nature of paper. The care and attention that both author and postman have to give to a letter to deliver through a cold vastness to its intended recipient is a thing of magic. I love typing, I am very much a techie but there is a lot lost in that efficiency.

The geometric patterns of cursive script coupled with the more robust and refined physicality of guiding pen over paper is a transcendant experience. It is one I hold in special esteem because it is the first real form of the development of the formalization of thought, dream, and drive being preserved and thus rendered transmissible. The manner of conceptualizing and abstracting that led to the creation of the modern world owes its existence to writing. This is why I feel it necessary to promote its rawest and most ancient techniques as ones whose preeminence should not be allowed to dwindle.

One of the main themes that seems to run through Consilience is the stifling nature of over-specialization. I feel this to be a valid sentiment. So valid that it’s a fact. I think that over-specialization, professional, and social nearsightedness is due in part to an atrophying of humanistic arts like handwriting. Craftsmanship and artistry seriously executed as discipline provide a fertile ground from which good science and sound philosophy can spring.

This is a sentiment that I think E.O. Wilson would agree with for reasons that should become apparent as I outline and review this timely and worthy work.


The review will be posted by next Friday.

A mutt by any other name…

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Today was a research heavy/geeky linux tinkery sorta day. Plus this guy was overdue for a walk. So in case I don’t assemble a post before bedtime I’m going to cynically use my friend’s cuteness to distract you from the lack of content.

Prepare to cringe….

In 3…2….1….

Pook!

Pookster Kennedy

Dog Jones Industrial

Buddy Brown

Pookah

Pooki

KOOH!

Douhg

Shady Slipper

Barrel

Chubbins

Licks McGee

Mr. Holmby

Professor Farts

Poochly

Brownie

Brun

Bastard

Samoabitch

John Pawtson

The Sketch of Sam Monroe – Chapter One: The Cambridge Gable Scene (‘Gator is Waitin’)

Chapter 1.1: Sketch of Sam Monroe

‘Chapter 1.2:’ The Cajun Prayer

This is a book that I will upload as I write it. This is still technically part of Chapter One like the rest of the entries.

Chapter One – The Cambridge Gable Scene

‘Gator is Waitin’

The mid-February evening grew chill quickly. I shivered and pondered as to how our retreating ‘boy in blue’ could sit so comfortably, on the faded green metal bench outside Pierce’s practice.

Graham had fallen into a neat little heap of lanky limbs and golden Afro soon after the dramatic episode. Currently, he was being comforted by a nurse (who despite being a tad older) still retained that magnetic auburn haired sort of charm common among the locals. Lucky dog….

Fabre was a picture of calm as he sat there gazing into the middle distance with a particularly offensive clove cigarette dangling from the corner of his mouth.

“What in the hell was all that about?” Pierce queried.

The Gallic sheriff remained impassive. His cold grey eyes held none of their former mischief.

The doctor was a reasonable man but his patience did have a limit. After the span of a quarter hour he remarked sternly.

“Well, come on man! Remember your Norman heritage. The blood of William courses through your veins and you would let a little of the old country spook you like that?”

It took some minutes still before Fabre responded.

“In Louisiana there are very wild places…”

“And many Alsatian fools,” Pierce remarked wryly. He had an odd habit of simultaneously praising and dressing people down.

“Yes, yes, I am a fool, and an Alsatian. But better to have my blood and my folly then to remain composed through that…”

Another long pause.

“I’m sorry, but I still don’t gather what ‘that’ is?”

This pause was even longer. I couldn’t suppress a yawn despite my interest. There was something dreamy, hypnotic in these hills. It was as if at every moment they threatened to drown you in some strange ancient honey.

“’That’ is voodoo…mssr

Pierce laughed derisively. “Come off it man, you don’t even go to church.” It was now that I noticed that Pierce had an accent too. My Carolina ears were keen for the foreign sound of Yank inflection. And Yank he was. He was less a son of Kentucky than I.

“I tell you the truth. You have the benefit of your education and distance as buffer. But this is…this is old stuff…this is not drugs…I’ve seen it before too…but not like this…”

“You are a superstitious fool.” Pierce scoffed. “The fair haired boy was having a pull at your leg. It’s that Irish mother of yours.”

“That was just a rumor I am as Cajun as they come. Perhaps too Cajun…I have hot blood….a bad temper…you see…that is…”

I thought I spied a moment of panic in that expressive face.

He puffed at his cigarette for a time before he continued:

That is voodoo mssr. That is very bad stuff…I have nothing on it…”

“Pfft…OK…fine it’s voodoo what did the blasted lad say?”

I was beginning to grow as weary of the pauses as Doc Pierce.

“He say…he say…’the gator is waiting.’”

It was a bizarre expression.

Yet, something about the way that the officer said it that sent a shiver through my spine. I noticed that Pierce was suddenly subdued as well. Though not for long.

“Ok and what does that mean exactly.”

“It means I am lost.”

This statement was followed by another litany of papist prayers. Latin, English, French…what I eventually came to recognize as Creole intermingled in a fluid entreaty to what of God may still reside in a world of drive throughs and porno.

“Look, I think it very touching that you’ve suddenly found the Lord but he helps those who help themselves. So what is this gator business?”

Officer Fabre used what remained of his initial clove to light the second.

“As, I have said it means I am lost. That was the end of Jack Montreux and it will be the end of me.”

“That, is a long story doc…”


Image credit: https://fineartamerica.com/featured/haunted-houseboat-ray-congrove.html

Delight, Delight (Demo)

 


I came up with the main lyrical idea years ago. Round 2011 or so while on a hike.

Apologies for the strained vocals. I’m not a natural singer and it takes some serious concentration to do the dirty deed. As such it does come out a tad eh…

 

I’ve no need for apathy

For I’m in love with light

Among

Branches of a tree

and how…

That dancing symmetry

On wings of evenings breeze

With such delightful ease

Is carried as a prayer

To heaven

Which is not so very far

From where you are

When only you

Deign recall the difference

Between great and small

Is not a difference

At all

ouh! ouh! Ouh x 2

I merge into the blue

Into the grand cascade

Here within this glade

The silvery tongues they sing to me

Lilting calling melody

A prosody

A novel in each crisp

Snapping of a branch

Though a chill rain it does drench

I love this place

I need this place

I will forever

Retrace the ever

Onward

One word

Delight, Delight

Retro and the Crow

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What’s the point then?

A computer, a technology, should never be a tether. It should be a tool to enhance knowledge, productivity, and pleasure.

To use a tool properly, one must learn to get by, to get about one’s business without it.

That’s why, post-shower, I am making this hand-written entry with my PC turned off.

There is only the pen, the paper, the ticking of the clock, and the sound of a radio coming from the other room.

Here I am, at my task, the task of writing, with more pleasure, ease, and sentience.

There is no song, no YouTube video, no endless podcast, there are no headphones at all. I do not drown passively among other people’s voices. I select what’s relevant from memory.

I do not fear that my thoughts will be lost, that they will suffer in quality because they are a scrawl in afternoon light rather than coordinates on a glowing screen.

I feel no unease at the knowledge that digitally augmented ken, all the world’s libraries, and forums, are one further step away.

I am in fact as free and secure as the crow that just flew overhead.

Because I have made it possible, more likely to see him.

I have but to swivel in my squeaky office chair to boot the machine. Should I fancy to share my insights electronically.

Perhaps soon I will. But not before I visit a long neglected couch to read a hand-held book.

Such is the exercise I choose to assure a firmer grip upon my faculties.

Through this I find my freedom, my mobility expanded, and my electric bill a touch more modest.


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TAP # 11 – Glib, Glam, and Guano (Vlog)


In this installment of TAP (The Audity Podcast), I discuss pitfalls in reasoning that come from the way that information is popularly presented.

Presented in gloriously anachronistic black and white because I am a shameless hep-cat hypocrite!


Example One: http://psychologyofeating.com/mind-over-food/

Example Two: http://reason.com/archives/2002/09/25/i-dont-care-where-my-food-come


Further reading:

Antonio Damasio’s – Descartes’ Error: Emotion, Reason, and the Human Brain

https://www.amazon.com/dp/B00AFY2XVK/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1

Jamie Whyte’s – Crime’s Against Logic

https://www.amazon.com/Crimes-Against-Logic-Politicians-Journalists/dp/0071446435

The Regular Irregular – (Poem with Essay) Jeder Rilke ist schrecklich

 

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The Regular – Irregular
‘Jeder Rilke ist schrecklich’
Poem with Essay


 

Hardly are there any hours

Scarcely do they ever stay

Called as if by unseen powers

This strange gift loves to stray

First, it was giddy

Tearing at tinsel

Then it was less greedy

A casual spell

Finally, I learned to see

That unwrapping is entirely unnecessary

Here all my watches blossomed

Every clock was a trade-wind

My steps were more assured

To those who’d say

That’s the mechanical way

Machines with their precision

Are no way to make decision….

Yet, I’ve turned my broken gardens into woods

Our park of long-rusted mistake into understoods

Yes

I am a regular
Irregular

Good-Day

2:16 PM on a Tuesday


Schrecklich

I do recall it. I recall often. Or at least so often as it recalls itself. At times reconstituted from the way that summer rain brings that moisture peculiar to doors left open at twilight.

Rainer Maria Rilke

I’d have never known the name save for a friend. She was a working musician that I’d met at a party half a decade ago.

She had a small room with what I think was a red couch. On one wall there was a picture of Christ with ashen eyes and a crown of thorns. There to watch me sin. On the other a picture of Virginia Woolf to scoff at our lack of gravity. Then some jaunty looking flapper with a black sunhat in hand striking a tom boy’s ‘Jack the Lad.’

It was in that room with the smell of rain that I pulled from her shelf of books a paperback of Rilke’s. At such times that we’d separate ourselves, I’d read. So I read.

It was the introduction rather than the poems that interested me. As far as I recall they tell of a young or perhaps not so young Rilke’s struggles. The point is I at the time imagined Rilke to be about twenty-two years of age like myself.

The struggles seem to have been primarily regarding a lack of productivity. One recounted episode (if my memory serves me well) was about how Rilke would endeavor to sit every day with punctuality to write something. He’d end up doing nothing. Or so was the effect of the tale on my imagination.

The feeling it produced in me was fear. They say that the most fearsome things are unknown. But it was the familiar that struck fear deep within me.

Was my tongue forever to be stilted? Was I merely going to pass my days in such a fashion, caught between worlds, dizzy with the urgency of that which must be said, and fornicating instead? Metaphorically of course.

It did or didn’t help that Whitman was there as contrast.

Yet, I had my gravity. The thing that would pull toward creation, toward a pulse.

Though it has taken some years. I believe that I have begun to manifest the strange momentum of a chance discovery.

Entsagung

This is the meaning in whole, or part, of the regular irregular.

Thank you for reading.

The Watering Hole (Vlog)


I’m coming at this from a ‘psychological’ angle. This differs from most people’s usual take on our tendency to not look beyond grocery store shelves because I’m not promoting or contesting ‘organic’ claims. This is just a bit of informal speculation on unseen effects of our ‘abstracted lifestyle.’

– Abstracted lifestyle as I use it here is just a reference to the depth and intricacy of our division of labor. We do not take actions or very often come in contact with those that take actions to ensure health and survival on a ‘primordial level’ (food, water, shelter, heat) and thus are ‘abstracted.’ i.e. Accounting and Computer Programming are abstract professions.  


I do not support or deny any of the claims in the following links. They’re presented to help you form your own opinions.

‘Neutral’ (*sic) Info  – https://www.usda.gov/media/blog/2016/05/25/know-where-your-food-comes-usda-foods

‘Pro Organic’ – https://www.cheatsheet.com/health-fitness/reasons-why-you-should-eat-organic-foods.html/?a=viewall

‘Critical of Organic’ – http://reason.com/archives/2002/09/25/i-dont-care-where-my-food-come#comment

*sic is here used in a somewhat unconventional way as a reminder that there is no neutral party of information since it’s all framed by human beings. USDA is by no means impartial or neutral whatever its attempts may be. Not due to any shortcoming on the USDA’s part necessarily but simply the nature of organizations and people. That being said I believe the information contained in the link is about as ‘impartial’ and rigorous as it probably gets.


Here’s more food related reading: 

Post.Grunge.Punks. (Webcomic) – Tim Pool is a Nut (Pt. 3) – Putin it Together

PGP - Tim Pool is a Nut Part three


Part One: Post.Grunge.Punks. (Webcomic) – Tim Pool is a Nut

Part Two: Post.Grunge.Punks. (Webcomic) – Tim Pool is a Nut (pt.2) – The Timatree

The Tim Pool Beanie origin saga is now complete. Be sure to check out the links in the first two posts to get a feel for the humor here. That is if you feel so inclined. There’s more substantive content afoot so long as all goes well this week. Thanks for stopping by. Cheers.

Transmission (Poem)

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It turns you

Into city visions

Your eyes become

Kaleidoscopes

Of other peoples

Dreams

Daze-ed is the walk of those

Among the walls that talk

They cannot separate

The lead out from the chorus

Thus feeding on frustrate

That ether

They are static things

Electric buzzing

In the maelstrom

Of soft white lies

And forgotten histories

What use have we for arcane

Magic

Or for symmetry

Such things are daft and tragic

Leave us be

There is no need of learning

Save to secure

The turning of a gear

That will assure

Tomorrow

They don’t know why

And do not sorrow

That tomorrow

Is today

Transmission

The transmission

It’s a mission to deliver

Deaf, Blind, and Dumb

Transmission, Transmission

This banquet is just a crumb


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