How is all of the magic
Of an embrace
Worn away by the Idleness
Of passing from place to place
With the day to day
All we can say
Is come what may
What for
What for
The sound of nails in the coffin
is
What for
What for
Premetaurely entombed
In lily garlands
Of pallid
Acceptance of
This here and
No more
I still recall sweetly
How the light caught the water
And how very neatly
The sun kissed her daughter
In the fading limelight
To mark a brief passing
Amid dreams, time, and our dancing bones
Skeletal frame
Made quick by live dust
Yet we don’t erect stones
We no longer trust
In kisses
Or passion
Such fleeces
Are quiet out of fashion
Ah but why
What for
What for
That’s the mystery most high
What
What for
The coffin’s not even nigh
No
It is here
We’re in it my dear
Before our time
Because the magic slipped out
We’d found a strong rhythm a stolid old rhyme
We kept to the beat
Cause that’s what strength is about
Yet we no longer greet
The morning with a great expectation
In our rehearsed caress
There is no elation
I no longer see home
When your foot slips from under your dress
What for
What for
I have seen a vast garland
Stretching from aeons
In shadow in light
…gazing upon your delicate hand…
It gave my spirit fight
A sense of place in time’s sand
Yet now all I hear
Is yes, o yes dear
Each repetition is a hammer that cries ‘pon the nail
What for
What for
I’d try to see if there’s more for you or for me
But I’ve got a luncheon with Mr. O’ clock around Four
Will we ever find the door:
…Again…
The door
To no more
No more:
What for
What for…
No more