Smell The Bacon

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Francis Bacon (1561 – 1626)

Dedication
For Miss Birdie my very own Eliza…

Has everything been said?

A lot of people presented with a blank page are familiar with this question.

The answer is of course no.

But, let’s for just a moment imagine that the answer is yes. There is nothing new under the sun, all is vanity, and the Simpsons have in fact already done it, twice.

Well, writers would be out of a job wouldn’t they? In fact most professions that rise above agriculture and maintenance would be rendered moot. In short art, philosophy, and a good deal of science would simply die.

Well…Would they? I think not. And I think that’s a beautiful thing. Perhaps even the most beautiful and profound thing about existence.

Allow me to explain.

There is an art all its own in worthy repetition.

It’s an art that’s more recognizable in that trite mantra, “Say it in your own words.”

At its heart it is about comprehension and appreciation. Therein lies its beauty. Therein the solution to Solomon’s eternal ennui.

That solution being the very one the Ecclesiast presented. The solution being finding contentment in that which is. Not that which should be or which could be. Those twin gods of the novelty obsessed. (What devilry novelty is! Teasing and ever tormenting with promises never fulfilled.)

What is the end of mankind but to perceive and enjoy that which is? One needs no faith to appreciate this. It is a truth whose digestion is easy for skeptic and cleric alike.

The fact is, that which is, recurs. Not in exact facsimile but the general patterns are there, with enough fidelity to brand as recurrence.

So recur the things that must be said. Yet their flavor changes. Because those who say it are new. They are new parts assembled from the old, and in reciprocal fashion, these assemble old parts from the new. What a thing it is!

So there is no such thing as a bold new frontier. For what is a frontier, but a thing so ancient, as to be untouched by the novel foot called man?

Yes there is but one art. One sacred art. The art of cultivation. The tending of an eternal garden whose fruits, trees, and flowers blossom of their own accord.

This is the art of Eden.

It sings “I am continuance and I am not to be defined. I am to be enjoyed. To be loved.”

What manifold blossoms what manifold ways! You can sing, you can write, you can etch. You can love and you can direct.

When one is sated on such fruits why should she reach for the forbidden thing called ‘Define.’

Perhaps it was God’s end to make mankind because Godhood is over-rated. Perhaps there is a Hell and it is called Completeness. What Good would a Good Lord be if He doomed His creatures to such a Fate from the outset?

The art of worthy repetition occurred to me today when I came across a rendering of the thoughts of Francis Bacon.

The thing occurred as I am rereading the springboard for my current project, E.O. Wilson’s Consilience, The Unity of Knowledge.

‘Look at that!’ I said. That is precisely what I’ve been meaning to say and it was said so well four hundred years ago! What business have I prattling on? Dejection creeped upon me.

Till I realized: If I’ve just had my thoughts echoed from a distance of four centuries… why not become an echo?

Because it is a worthy thing that I wish to Magnify…

The Father of Induction saw fit to say that the mind,

“is not like a wax tablet. On a tablet you cannot write the new till you rub out the old; on the mind you cannot rub out the old except by writing in the new.”

What an altogether compact and lovely way to say everything that I have said above!

Yet, Bacon said much more that I have wished to say, and will echo here today.

He saw the importance of psychology. Saw it as being of utmost use for effective science and creativity. Even though the word had not been codified, he understood the value for getting a grasp on the mechanisms of mind. This is precisely what I have been stressing, and meaning to stress better, by positing that the first and foremost of lenses is perception itself. One that must be polished and studied with more caution than any other science.

Sir Francis Bacon also cautioned of the ‘idols of the mind.’ My, what a way to warn against those perils which have so vexed me to espy ahead, behind, and all around. What a fitting term is ‘idol’ for this idolatry! For taking living truths and turning them into wooden follies.

  • The first is the idol of the tribe. That thing that superimposes an artificial, constricting order, where there is a natural ‘chaos.’

  • The second is the idol of the cave, which is subjectivity. Personal prejudice falsely enshrined as objectivity.

  • The third is the idol of the marketplace, or of a marketers ability to sell a fantasy, through persuasion.

  • The fourth idol, and the one that I believe to be most dangerous of all today, is the idol of the theater! It is the most dangerous because the manufacturing of consent, and every other thing, is today done largely through entertainment; whether consciously or unconsciously. Our attitudes and beliefs, are molded by engaging all our senses in films, television and radio programs, and much else in the world of multimedia. We must be therefore sharply on guard, for what follies we may have unwittingly taken on board. For in such a world, such harboring of error, is exceedingly easy and common. Broad is the way, BROADWAY, to destruction indeed!

I am very glad to have stumbled upon Wilson’s book. An event that is now three years old. I am very glad that I have had the good sense to remember the book, to use it as a springboard, and most of all to give it a second reading. Yes, the repetition was as sweet as the first taste.

I am very glad that Wilson has done the indispensable work of making thick and hoary volumes accessible. I am glad that he has echoed ‘The Ionian Enchantment.’

I am glad to have heard that echo of Bacon, echoed by Wilson, and to echo it in turn.

This is how we must garden.

For truly, we are all but gardeners, upon the terraces of an eternal Eden.

Wake up and smell the Bacon!


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Diversify your Portfolio

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I suppose I’m a bit stuck on financial terms this week. Probably because they are good analogies for how the world functions. As such you can extrapolate insight into a lot of issues far outside the narrow field of bottom lines.

When people hear ‘Diversify your Portfolio’ they immediately think of Wall Street. Your stocks, bonds, and other securities are not the only portfolio you should diversify.

Another image that may come to mind is the artists portfolio. Sometimes this image manifests as a large envelope, full of prints, sitting in the corner of some studio, littered with evidence of robust endeavor.

But why should our hypothetical hep cat painter limit the contents of his portfolio to paintings?

I thoroughly understand that people must play to their strengths. You don’t want to sacrifice a brilliant painter for a mediocre writer or vice-versa.

However, the painter and writer can both benefit greatly by diversifying how and what they write and paint about. I would argue that these two craftsmen can also benefit immensely by spending a little time making serious efforts in each others fields.

The writer who spends a little time learning to paint won’t risk squandering his potential as a writer. In fact his writing is bound to improve. This is because he isn’t spending all his time painting. He’s painting just a little and with serious intent.

As such he will glean new insights because he is engaging parts of his brain that he normally wouldn’t. He has to think about perspective, shading, background and foreground and learn how to use his hands in a coordinated way to create an intelligible image.

All this dexterity will translate into better writing. The same applies to the painter who tries writing and has to learn about pace, plotting, character building, etc.

So what’s a reasonable amount of time to devote to learning a new skill to help along your current skill? It varies from individual to individual. What works for me is devoting a half hour to hour each morning for a couple of weeks to the new task. This way I learn a new skill without sacrificing current skill-sets.

This journal is built on recognizing the value of diversified skill-sets. This journal is unique in that I double the value for my readers by providing both fiction and nonfiction works.

It struck me last night after I published a poem that some people may find this approach amateurish. (Especially of poems in the context of a news/commentary- reporting flavored journal such as this.)

There certainly does seem to be a consensus that serious people focus on one field and hone their prowess there to near perfection. It’s not an entirely misguided notion. Michael Crichton was master of the techno-thriller, Tom Clancy of military adventure, and Poe of weird story and dark poetry.

Perhaps I differ from these people in that I diversify my approach publicly. I think it is to my benefit that this journal is open-ended, factually rigorous (as possible), musing. Time will tell.

A Week in Sales

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I am not a salesman. I suppose I could be if I worked at it but I don’t find it very engaging. That’s not to say that Sales is a bad career or that sales people are bad. If you believe in your product or service it can be a fun challenge with a lot of financial rewards. There are a lot of lessons you can learn about yourself and life in general by learning the art of the deal.

After just a week at small direct-marketing company I could probably write a couple of pages on what I learned. A lot of it was simply coming to understand my own reactions and thought process and learning to steer them. Since I think that the latter is important I’ve compiled a short list of ways to do it.

Things I Learned from a Week in Sales

  • It’s easy to agree with objections in the heat of the moment. Don’t.
  • People are much less likely to commit to a product or conversation if you aren’t committed yourself.
  • A lot of your first impressions of peoples attitudes and reactions are wrong.
  • It’s essential to control your inner chatter. Not only is it distracting but it’s usually wrong and can destroy a lot of potential.
  • A lot of people don’t really know what they think much less why. They’re simply reacting to the perceived contours of what you’re saying.
  • Blood sugar levels matter a great deal.
  • Being healthy helps you be good with people.

A lot of this is common sense stuff. I chose to call it learning because there’s a difference between knowledge and experience.

Sure the above observations could come from any kind of interaction. But there is a quality to business and professional interactions that drives the point home more clearly. Probably owing to the fact that you can’t opt out of paying attention to your own reactions, or simply write off miscommunication as being ‘just one of those things.’

All in all I had a good time trying out a new venture. I think that it is especially important for artists, writers, and the like to leave the comforts of Bohemia once in a blue moon. I definitely have a slightly less cynical view of businesses than I did before.

I think understanding the workings of humanity behind corporations and their clients will help me be a more insightful writer.

Is there a career or experience that you think would challenge you and refill your creative wells?