Jim did not see. His return to the cottage was not accompanied by a deepend reverence. Quite the opposite, his recklessness increased.
“This is all bullshit.” He said as he tossed his uncle’s letter into the fire.
Whenever he heard the chirping he’d run out like a wildman, Mossberg in hand, and fire wildly at the trees. Wooping profanities that would put any sailor to shame.
“I can always get more shells, cocksuckers!”
It did seem to work.
“Goblins my ass…hicks with whistles aren’t about to make a heel outta Jim Cleary.”
He actually considered burning the wood. His life had not been easy and, once kindled, his nihilistic rage was capable of profound wickedness. He wasn’t unfamiliar with a cellblock nor much afraid of returning to one.
But the pay was good. And despite Lizzy’s warnings it had not ceased.
He kept finding those strange heel-less tracks. But remained unphased. Figuring it was just another trick.
It was weeks since the ordeal that had found him on the shores of Luckadoo’s lake that denial began to grow impossible.
First, his temper finally began to subside, allowing for a touch of introspection. He felt bad for consigning crazy Hant’s ramblings to the flame. It was like sucker punching his spirit in the gut. The old nut meant well.
It did not help that Jim received a sudden fortune. A turn of luck that explained everything and could only mean one thing.
On his return from the post office, bank statement in hand, he heard an inhuman wailing.
It made his heart sink to the very depths of his stomach.
Lizzy was at the stump doubled over and shreiking into the evening. Her long gray locks hung in ragged clumps completely obscuring her face.
A twig snapped as Jim approached to comfort her. She gazed up. And he turned to go.
All the fire was gone from her eyes. The spry twiggy motions had given way to shivers and sobs. He could not bear it and fled into the wood.
He sat by the cold stones a long time. Staring at the bit of paper that informed him that he was a sevenfold millionaire. It gave him a stomach ache. He actually felt naseaus.
He’d done nothing but surreptriously mock the old man his whole life. To reveive such a kindness after burning the last bit of spirit that Hant had passed on was flooring. Jim lay on the cold granite, too callous for weeping, too penitent for comfort.
The heavens that peaked through the swaying trees were agonizingly bright. With a cheerful beauty that mocked the mercenary hideousness of his soul. Sagitarius with his bow was hypnotic.
He did not know how long he lay there staring till thirst took hold. He tried to rise but to his horror found himself unable to move at all.
It was then that he realized it was absolutely silent.
The buzz of the cicada had ceased. No more did he hear the song of the owl and whippoorwill. Not even the strange chirping could be heard. Normally he would have been greatful for this fact. Especially given his current handicap. But, the damnable sound was replaced by something worse. It was a low and subtle sort of hum accompanied on occasion by light stealthy footsteps. As if a troop of children were playing hide and seek. Except the gait suggested by the footfalls was all wrong.
Jim could not move his head. But his eyes rolled freely. He gazed left at the sound of a snapping twig and beheld a silver head. A small bald thing was bobbing in his direction with several more in tow.
They stopped just beyond his line of sight and began to sway rhythmically. To his horror he found himself sinking into the stone. He tried to cry out but his dry constricted throat failed to produce so much as a chortle. Slowly, agonizingly, he felt himself becoming one with the granite.
Then quite suddenly a booming voice burst through the nightmare. “Fool!”
It was Hant’s voice. But the figure he glimpsed was not Hant. It was not the clean cut rustic but a wild bearded silver haired apparation.
The wicked dwarves scattered before the cold grey light of the wizard.
“I hope ye choke on drink. All that I gave ye..may you drink up…to the dregs…you fool.”
Jim felt a vicious kick in his rib.
But the pain was soon replaced by pleasure as he realized he could move again. He raced homeward not heeding the briars. Collapsing on the soft leather of the couch Jim fell into the deepest sleep of his life.
“How the hell did you get this boat here?” Jim wondered out loud as the lake’s utter seclusion fully registered.
“I didn’t.”
“Ok…so your family did?”
“No.”
“I don’t get it.”
“I had it built here.”
“Oh!” Jim said smacking his head. Despite being a simple enough thing to guess the economic disparity between him and the giant was as great as the ratio of their height. Making it hard to see eye to eye on several levels at once.
Jonas Luckadoo was taller than Dutch. Jim guessed he must be pretty close to seven feet.
“Did you ever consider playing basketball?”
“Now that wouldn’t be very fair would it?”
“Guess not,” Jim said as he recalled that even Lizzy was atypically tall. She stood just below Jim’s nose. This was a feature he rarely encountered in women.
Elsa, the young woman who was piloting the boat as Jim and his host shared a pipe was the first person of average height he’d encountered. She had chestnut brown hair and the greenest eyes he’d ever seen. He figured she was a lot closer in age to him than her apparent lover.
But he had no time for romance. Much less rivalry. He was curious. Never had he seen a man of these dimensions. Let alone one from the leisure classes.
“Say, Mr. Luckadoo, why is everybody round here so god-damned tall?”
His host shrugged and grinned wryly, “Must be the mountain air.”
“Nah.” Jim said letting his intuition guide him. “There’s something real weird going on out here.”
“Says the man washing up barefoot on private property.”
“Ach, komm off it Jonas, tell heem…it is such a interesting story.” Elsa interjected.
“Quiet whore.”
“HEY!” Jim exploded rising to his feet.
Elsa laughed.
“I see you have the famous Celtic temper.” Jonas said coolly as he ruffled Jim’s hair.
“Do not mind heem. It is joke between us.”
“Some joke.” Jim muttered as he attempted to hold his chin aloft through the embarrassment.
Luckadoo chuckled. “I’m afraid I have a threefold advantage. Don’t let it sting your pride. I did not earn it. Neither this wealth, nor this body, nor the strength within it are to my credit. It is all utterly hereditary.”
“Ja, Jonas tell heem. He knows much now. Already seen dem.”
“Them?”
Jonas shook his head.
“That is for another time. I suppose I must apologize for baring a familiarity that you weren’t prepared for. Elsa is a whore…or rather was.”
“So, it’s not a joke.”
“It is a fact. Facts can be funny.”
“I don’t find it funny at all.”
“My mother was a whore.” Jonas stated matter of factly. “I collected Elsa from the same Bavarian brothel in which I was conceived. She is my third cousin.”
“Luckadoo don’t sound like a kraut name to me.”
“My father was Scottish. Though I’m not entirely certain as to the actual origin of the name.”
“So, you’re a literal bastard as well as a metaphorical?” Jim ventured a liberty.
“No. My parents were lawfully married before my birth.”
“Isn’t that taboo with ya rich folk?”
“The marriage was arranged.” Jonas answered as they came to rest at a dock.
“An arranged marriage to a whore?”
“Yes, my family has always been eccentric. Now, you asked about height. The early 20th century had a fascination with eugenics. It especially effected aristocrats who were already accustomed to obsessing over lineage…I don’t suppose you’ve ever heard of the Potsdam giants?”
Jim shook his head.
“When King Frederick the first was prince of Prussia he formed a peculiar unit. A taller man could more easily operate a muzzleloader. Being German old Freddy took everything to the extreme and founded a regiment of giants. It included tall men from many countries. Some like my maternal ancestor James Kirkland came from Ireland.”
“So, you’re not a kraut at all.”
“My father is Hessian.” Elsa said with wounded pride.
Kirkland’s heir chuckled. “Yes, Hessian. Notice how you didn’t say German. It is small wonder that they succumbed to Rome. The fireworks of the Reich were the consequence of overcrowding. The Teutonic will has a profound dispassion for unity. A nation of warring princes as Lord Russell put it.”
Elsa stuck out here tongue.
“That’s how we the posterity of the forcefully conscripted came to be. Through three violent centuries much of honor fell by the wayside in favor of survival. The sons and daughters of Kirkland were scattered throughout the continent. That is until my father’s clan began collecting them.”
“I see.” Jim said as his head spun from the sheer madness of it all.
“That, my boy, is why despite our common national origin I could toss you like a hammer at the games.”
“And you plan to do that nasty upper crust thing and bang your cousin? Keep them freak genes goin?”
Elsa laughed.
“I doubt my wife would be very happy about that.” Jonas grinned.
Jim’s heart thrilled at the news. “O.”
“Yes and speaking of Charlotte…let’s get of this damned boat. I do believe I smell duck à l’orange.”
There was a sound as if something were in flight. Intermittent static, strange gurgling, and rasping titters sent quick sharp almost painful shivers up his spine. Jim felt nauseous.
Then like waking from a bad dream he heard the first bars of “Something.”
“What in the actual… holy fuck was that?” He muttered.
The cheery mellow romance of the sixties soothed too abruptly. Cosmic horror was cleanly cut from his psyche. And it left him reeling.
He released the needle and picked up the record mid-spin. It appeared normal.
He made it play again.
Within seconds he heard, “Something in the way she moves…”
“That’s it…I’m losing my fuckin’ mind.” He thought.
But why would he imagine something like that? He wasn’t given to nightmares. Even here in this weird lonely place those dreams that he could recall were pleasant.
“Keep it together Jim.” He mumbled attempting to regain his nerve.
“Ye best be keepin’ the ways.”
He wheeled round so fast he almost fell.
There in the center of the parlor was that blasted scarecrow of a woman.
“How…”
That same perfectly intact smile broke out of her wrinkled face like sunshine through a tattered curtain. She lifted a hand with an extended finger on which hung a ring of keys.
“Didn’t think that the closest thing yer kind had to a wife has wifely privilege?” The grandame chuckled.
“That’s not right.”
“Neither is being a Philistine in Rome.”
“Huh?”
“Haven’t ye heard da old sayin?”
“Heard loads but that don’t excuse this. I’m guessin’ ya never had sons cause burstin’ in like this…well ya might see thigns ya rather didn’t.”
“I don’t care bout yer piggishness. That’s afore ye and God what I care is that you’re in Rome and ye do not do as the Romans.”
“Well, good. Cause I heard that Rome fell.”
“Smart…very smart..fool…I see that you’re very much after the new way.”
“Huh?”
“Ye think this is all just some kinda game. Believe that everythins’ plain and tidy. That this great thing with it’s stars and the way that Cronin blood plays through yer veins it’s all just so…just cause…it’s gotta be…cause it is…right?”
It took Jim a minute to process all that.
“Yea…makes about as much sense as anythin can.”
She smiled again.
Jim leapt back.
What stood before him was not Lizzy Jennings but a beautiful youth with dirty blonde braids and radiant skin.
At least that’s what he thought he saw. Because just as quick as the satanic vesper had melded into psychedelic rock the old crone was again before him.
Though now he noticed something in her eyes. Something keen and vital in the icy blue. Playful or perhaps tricky that twinkle was unsettling. He’d seen it before in some Union guys. They were young but possessed by something…older…something wiser and that combination of vigor and insight was formidable. It was off putting.
“Why da ya jump bout like a frightened bunny? If the world is just so?”
Jim sighed.
“Look could you please promise me that ye won’t just bust on in here without knockin?”
“So long as ye can promise to keep the ways.”
“Fine!”
“You’re lyin’.”
Jim sighed again and began to protest.
But Lizzy held up a finger. “It don’t matter. Ye can’t convince me ‘gainst what I know. The Lord can see into the heart. And from time to time he even let’s sinner see the heart’s o others. This is why we know ye are a fool. Why we have halved your pay till ye comply.”
Jim pondered for a bit.
“No! I won’t be able to make rent…Barragan will fuckin’ skin me. It don’t matter if I’m on the moon. He’ll fuckin’ skin me.”
Lizzy laughed. “Now if only ye were as afraid of them that could destroy the soul same as them that can destroy the body.”
“I don’t take kindly to folk trying to scare me.” Jim said coldly.
Lizzy shook her head and muttered, “Folk,” with a wry disdain.
Jim stamped his foot.
Lizzy sighed.
“I’m afraid there’s nothin’ I can do about it. Ye may live…I suppose…but even if ya do…you might not find livin’ as pleasant.”
“Is that a threat?”
“If I wanted to harm ye,” she said dangling the keys again. “I coulda done it a dozen times over.”
Jim stared.
“Frankly, I don’t much care about ye. Too brash too removed from worship…”
“There’s that religion shit again.” Jim shook his head.
“Nah…ain’t no religion…this is older magic than Abraham…than order…than yer new England tidiness…that factory faith o yers…no….”
“That sounds real religious…”
“No I don’t care for ye…but I do care for keepin things untangled…and as that bastird faith would have it…only a fool can untie the knot.”
She turned and headed for the door.
Pausing at the threshold she said. “I only wanted to save ye some trouble. But ye have the heart of Absalom. The heart of a fool.”
Jim was at a loss as the door shut calmly behind her.
The muffled sound of hooves on grassland reached his ears and he headed for the liquor.
I think that I heard somebody refer to scriptire (lol…scripture…but scriptire is even better) and ‘Judeo-Christian’ values as the scaffold for our culture in a debate.
While I don’t entirely agree I found the sentiment useful.
Art, literature, and craft of all kind is a scaffold from which we build the great palace of human experience. To lose that as I somewhat fear we may be would be a grave error.
It was either Goethe’s Werther or Wilhelm, that provided me with a certain sense of balance. I’d never really read the books except as exercises in seeing how much I could glean with my sparse knowledge of German.
It was a secondhand account, either in a book or in some online posting that I gained some familiarity with the plot and style.
I’d taken an interest in Goethe after stumbling across Blixa Bargeld while listening to internet radio a number of years ago. I’d already been steeped in Nietzsche, as every edgy teenager should be, and thought it would be fitting to add another dead German to my Trane of pretensions.
Blixa’s rendition of Wanderers Nachtlied (Ein Gleiches) is very good but the poem is even better. It’s sparse and stuffed with ponderous depth. Something I’ve come to expect from all things German.
Bach’s genius I think lies in taking something very simple and making vast frescoes and stuccoes out of it in the uncanniest of ways. I’d already been pretending to be fond of Bach for years. So all the pieces of how I thought an antiquarian revivalist should behave had fallen into place.
When I say pretension I do not mean it a negative way. Although there was some ulterior motive in that I was struggling to set myself apart. This instinct for differentiation common when crossing the bridge from boy to man was well served by my choice of subject.
Classicism is life. Classicism is the lodestar that guides one to the True Course. So when I say pretension is not negative I mean that there is absolutely a necessity for everyone to assume an affectation. Today’s ‘authenticity’ with its blue jeans and four chord ballads is itself an affectation. One can choose to don it, or cast it aside in favor of another, but either way, the choice must be made, and it had better be a good one.
Certainly, those who prefer the bold-mans affectation will feel a bit stifled by the tried and true sure bet of classicism but I think this would be a misreading. Just like one can’t really play jazz without being well versed in the rules that need to be broken one can’t really be an adventurous man of action without knowing from what it is he is departing.
Alan Watts described classical music as being the purest expression of music for music’s sake.* I don’t think that it would be a mistake to say that he found classical music to be tres Zen. I happily agree with his assessment.
Wu Wei is the True Way and Classicism is the best of affectations because it is the ultimate falling into place. The sense of solidity that one gains from something obviously good, from something that is Der Ding An Sich, is not just an accident of custom. It is not something that we relish and cherish simply because it is old.
No. It is old and remembered because it retained the most salient features of the human experience in the most efficient way possible. This is the reason why I call it the lodestar to the true course because those who don the affectation of Classicism will be able to forge new paths. Paths that last. And even if one does not forge any new path one will be fortified by an acquaintance with transcendent beauty that will make even the dreariest of circumstance bearable.
Today’s obsession with novelty and authenticity seems to produce nothing but remakes. Those who most proudly proclaim progress and define themselves as acolytes of the future are stuck in the past feeding on bread that’s decades stale.
Why is it that the seventies, eighties, and nineties produced so much that was so new and so full of depth? Because those generations were still steeped in classicism. They had good models from which to diverge. Today we merely have the echoes, of the ghosts, of what they built to rely on.
There is much that I like about today and there are still amazing artists, philosophers, and scientists and I don’t think it needful for everyone to mutter over Virgil to make valid and beautiful contributions. However, a bit of Virgil would certainly help.
Just the hint of what Goethe was getting across has helped me to gain a surer footing and be productive as a writer and amateur musician. Not only has it helped me in these regards but it has helped to cement my purpose and sense of what it is to not only be a man but a human being.
Some web searching being in order I found the thing that had been transmitted to me through the hint of Goethe: Entsagung. A word which roughly translates to renunciation. Renunciation of what exactly. I think a renunciation of swaying to and fro. I think that perhaps a more fitting term would be resignation. Resignation to what? To Wu Wei, to something like the Tao, or what have you, if you will.
So the thing in itself, Der Ding an Sich, Art pour le art, etc. is simply the purest expression of what is to be human and is grasped when you have the balance you get, from Entsagung, a balance that allows you to see loading trucks as fuel for writing poetry.
The classics in whatever form, whatever genre, will never be forgotten. For it is through their cardinal points that we find Wu Wei that truest paths…
A path lined with columns, arches, and flowering gardens of the most sublime craftsmanship hinting and singing of the most profound depths that lie in even the commonest of things.
* Alan Watts wrote several books and delivered many lectures so the specifics of the attribution may be a tad off. I’ll attempt to either rectify or supplement this information when I get the time.
It really stuck in my craw. I remember standing there in front of the machine. It was a bizarre twenty-first-century machine still quaintly termed a Creel. My boss, the surrogate father of my room-mate and prep school buddy was telling me something I found hard to fathom.
Not that it was difficult. There is nothing difficult about machines. The chief difficulty is generally that they’re a tad dull. Doubly dull on days when you’ve awoken before the sunrise to drive from a one bedroom apartment, past listless trees and lumbering rigs, to a grey gravely yard next to a utilitarian affair termed a factory.
“You’re a man of letters.”
It really stuck in my craw. I’d asked for a guide. For a chance to study the inner workings. The simple buttony operation of the thing would stick better with such documentation. Yet instead of encouragement for my interest, I was called a man of letters.
It is odd for me, it is profoundly difficult, to keep from resenting soft suburban blindness. To deal with the oversimplified dichotomy of ‘this’ and ‘that’, and ‘thus’ and ‘so’ of the collegiate. I was not cradled there, I did not belong there, and I certainly despised being called soft by its tenderest tenants.
This whole essay is years in the making and the flame animating the long assembled kindling was sparked by ‘the most widely known man of letters.’ Ralph Waldo Emerson, yes finally I had an elegant way to broach the subject.
The Internet Encyclopedia of Philosophy contains that little phrase. I was there because Emerson is the great Ghost behind our present machine. For good or for ill.
I think good and ill a thing that’s at times difficult to fathom. Though not as difficult or impossible as my ‘post-modern’ (relativists)(sic) contemporaries would make it out to be.
Emerson thought the man of letters was incomplete. Like Aurelius, he thought that muttering over books overlong was unhealthy. I’d been conditioned from youth to agree with this assessment.
A far more recent writer by the name of Crichton had shaped the entirety of my ethos in the span of a paragraph. In a dime-store thriller called The Lost World, there was a passage lamenting the academics penchant to be maladapted. This need to be nerdy was sharply contrasted with the athletic achievements of some 20th century Noble luminary. I think it may have been Plank.
I was thin, and pale, and dark. I reveled in the hills, streams, and woods of the nation that adopted me. My father was a security guard who participated in martial arts tournaments. My mother worked in a gym in the basement of a looming thing in the metropolis of my birth. My father’s father was a gym instructor. My grandmother’s father was a geologist or economist for a geological survey studying some of the roughest country on Earth. So despite being thin and pale, and dark I had a physical pedigree and physical passions, as well as not the cheeriest of childhoods.
All these being reasons why I so thoroughly imbibed Crichton observation, and so thoroughly resented condescension from first world humble braggarts.
These sorts steal my time, steal their own time, and stymie this wondrous blooming thing called life with listless labeling.
This is why Emerson is so essential and misreading him so dangerous.
He is called the ‘most famous man of letters’ by that Encyclopedia for solid reason. He is both hapless signpost and robust director of the American way. A decent and dare I say lovely path when properly taken.
‘America is a poem’ and the magic of poetry is in its motion. Rhythmic meter is the same animus that Emerson promotes by suggesting that a man see no work as beneath him, so long as it is useful at the moment. He saw the enlightenment sought for by all the sages in all the ages as being possible to accrue from the most mundane of tasks, provided the proper spirit.
Logos and pathos, Apollo and Dionysus, in perfect concert that’s the ethos. At least that to me is the ethos Emerson was attempting to transmit.
Transcendentalism you see is not about escape but about embrace. Individuation and individualism are not about isolation but realization. The proper reading of individuation is not of setting apart but of standing together. Yes, we are together but we do not lean one against the other, each of us stands upon the same ground and we regard each other as one regards a magic mirror. In this realization, the mirror is a window into another world where we see ourselves in a different reality. This embrace is the kindest Agape and the richest kiss of Eros.
Of course, to use a cringy cliché this rose has many thorns and plucking it requires utmost caution.
“Rich man in a poor man’s clothes.” To borrow from Elliot as I will do forever is the prickle that I find most personally irksome. The humble braggart, the latte-swilling tough guy, the ‘dude with a stilted attitude learned from TV,’ the man who called me ‘man of letters.’
Why all this ire? Was it an insult or compliment? Was it both? I do not know but I do know that it is indicative of an improper digestion.
Emerson, unless I am mistaken would have resented the separation of the ‘gritty blue jeans realist’ from the ‘man of letters.’ In fact, I think that he found this very dichotomy to have a mortifying effect. It is the same dichotomy that Crichton and Aurelius address when they remark on the imbalances of certain characters. So, to be called ‘a man of letters’ by a hard-working dandy, seemed indicative of improper digestion of the massive cultural morsel, that the Transcendental school has set upon the American table.
I’m not exactly sure what they’re playing at. What they’re playing at with all that cocky grinning, armchair psychology, beards, and flannel… And I only point it out because I think it makes everyone miserable and a shot at diagnosis may perhaps be better than no diagnosis at all.
So, I Alexander Weir, formerly known as Alexander Vadimavich Vyborov, proclaim without pride, or shame, that I am as I have always been a man. Not a man of letters, not a tragedy, not a poet, not a laborer, painter, musician, or chief, but simply a man.
A lot of people presented with a blank page are familiar with this question.
The answer is of course no.
But, let’s for just a moment imagine that the answer is yes. There is nothing new under the sun, all is vanity, and the Simpsons have in fact already done it, twice.
Well, writers would be out of a job wouldn’t they? In fact most professions that rise above agriculture and maintenance would be rendered moot. In short art, philosophy, and a good deal of science would simply die.
Well…Would they? I think not. And I think that’s a beautiful thing. Perhaps even the most beautiful and profound thing about existence.
Allow me to explain.
There is an art all its own in worthy repetition.
It’s an art that’s more recognizable in that trite mantra, “Say it in your own words.”
At its heart it is about comprehension and appreciation. Therein lies its beauty. Therein the solution to Solomon’s eternal ennui.
That solution being the very one the Ecclesiast presented. The solution being finding contentment in that which is. Not that which should be or which could be. Those twin gods of the novelty obsessed. (What devilry novelty is! Teasing and ever tormenting with promises never fulfilled.)
What is the end of mankind but to perceive and enjoy that which is? One needs no faith to appreciate this. It is a truth whose digestion is easy for skeptic and cleric alike.
The fact is, that which is, recurs. Not in exact facsimile but the general patterns are there, with enough fidelity to brand as recurrence.
So recur the things that must be said. Yet their flavor changes. Because those who say it are new. They are new parts assembled from the old, and in reciprocal fashion, these assemble old parts from the new. What a thing it is!
So there is no such thing as a bold new frontier. For what is a frontier, but a thing so ancient, as to be untouched by the novel foot called man?
Yes there is but one art. One sacred art. The art of cultivation. The tending of an eternal garden whose fruits, trees, and flowers blossom of their own accord.
This is the art of Eden.
It sings “I am continuance and I am not to be defined. I am to be enjoyed. To be loved.”
What manifold blossoms what manifold ways! You can sing, you can write, you can etch. You can love and you can direct.
When one is sated on such fruits why should she reach for the forbidden thing called ‘Define.’
Perhaps it was God’s end to make mankind because Godhood is over-rated. Perhaps there is a Hell and it is called Completeness. What Good would a Good Lord be if He doomed His creatures to such a Fate from the outset?
The art of worthy repetition occurred to me today when I came across a rendering of the thoughts of Francis Bacon.
The thing occurred as I am rereading the springboard for my current project, E.O. Wilson’s Consilience, The Unity of Knowledge.
‘Look at that!’ I said. That is precisely what I’ve been meaning to say and it was said so well four hundred years ago! What business have I prattling on? Dejection creeped upon me.
Till I realized: If I’ve just had my thoughts echoed from a distance of four centuries… why not become an echo?
Because it is a worthy thing that I wish to Magnify…
The Father of Induction saw fit to say that the mind,
“is not like a wax tablet. On a tablet you cannot write the new till you rub out the old; on the mind you cannot rub out the old except by writing in the new.”
What an altogether compact and lovely way to say everything that I have said above!
Yet, Bacon said much more that I have wished to say, and will echo here today.
He saw the importance of psychology. Saw it as being of utmost use for effective science and creativity. Even though the word had not been codified, he understood the value for getting a grasp on the mechanisms of mind. This is precisely what I have been stressing, and meaning to stress better, by positing that the first and foremost of lenses is perception itself. One that must be polished and studied with more caution than any other science.
Sir Francis Bacon also cautioned of the ‘idols of the mind.’My, what a way to warn against those perils which have so vexed me to espy ahead, behind, and all around. What a fitting term is ‘idol’ for this idolatry! For taking living truths and turning them into wooden follies.
The first is the idol of the tribe. That thing that superimposes an artificial, constricting order, where there is a natural ‘chaos.’
The second is the idol of the cave, which is subjectivity. Personal prejudice falsely enshrined as objectivity.
The third is the idol of the marketplace, or of a marketers ability to sell a fantasy, through persuasion.
The fourth idol, and the one that I believe to be most dangerous of all today, is the idol of the theater! It is the most dangerous because the manufacturing of consent, and every other thing, is today done largely through entertainment; whether consciously or unconsciously. Our attitudes and beliefs, are molded by engaging all our senses in films, television and radio programs, and much else in the world of multimedia. We must be therefore sharply on guard, for what follies we may have unwittingly taken on board. For in such a world, such harboring of error, is exceedingly easy and common. Broad is the way, BROADWAY, to destruction indeed!
I am very glad to have stumbled upon Wilson’s book. An event that is now three years old. I am very glad that I have had the good sense to remember the book, to use it as a springboard, and most of all to give it a second reading. Yes, the repetition was as sweet as the first taste.
I am very glad that Wilson has done the indispensable work of making thick and hoary volumes accessible. I am glad that he has echoed ‘The Ionian Enchantment.’
I am glad to have heard that echo of Bacon, echoed by Wilson, and to echo it in turn.
This is how we must garden.
For truly, we are all but gardeners, upon the terraces of an eternal Eden.